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The Holy Mountain (1973)



The characters are led by the alchemist through various transformation rituals. The ten journey by boat to "Lotus Island" in order to gain the secret of immortality from nine immortal masters who live on a holy mountain. Once on Lotus Island they are sidetracked by the Pantheon Bar, a cemetery party where people have abandoned their quest for the holy mountain and instead engage in drugs, poetry, or acts of physical prowess. Leaving the bar behind, they ascend the mountain. Each has a personal symbolic vision representing their worst fears and obsessions.




The Holy Mountain (1973)



Near the top, the thief is sent back to his "people" along with a young prostitute and an ape who have followed him from the city to the mountain. The rest confront the cloaked immortals, who are shown to be only faceless dummies. The alchemist then breaks the fourth wall with the command "Zoom back, camera!" and reveals the film apparatus (cameras, microphones, lights, and crew) just outside the frame. He instructs everyone, including the audience of the film, to leave the holy mountain: "Goodbye Holy Mountain, Real life awaits us."


The film is based on Ascent of Mount Carmel by John of the Cross and Mount Analogue by René Daumal, who was a student of George Gurdjieff. In this film, much of Jodorowsky's visually psychedelic story follows the metaphysical thrust of Mount Analogue. This is revealed in such events as the climb to the alchemist, the assembly of individuals with specific skills, the discovery of the mountain that unites Heaven and Earth "that cannot not exist", and symbolic challenges along the mountain ascent. Daumal died before finishing his allegorical novel, and Jodorowsky's improvised ending provides a way of completing the work (both symbolically and otherwise).[original research?]